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Richard Paton: The Battle of Cape Passaro, 11 August 1718  wikidata:Q50867058 reasonator:Q50867058
Sanatçı/Yapan
Richard Paton  (1717–1791)  wikidata:Q3431102
 
Richard Paton
İsim seçenekleri
r. paton; Paten; Paton; Robert Paton; R. Paton, Wardour Street, Soho, London
Açıklama Britanyalı marine painter
Doğum/ölüm tarihi 1717 Bunu Vikiveri'de düzenleyin 7 Mart 1791 Bunu Vikiveri'de düzenleyin
Doğum/ölüm yeri Londra Londra
İş konumu
Otorite kontrolü
creator QS:P170,Q3431102
 Bunu Vikiveri'de düzenleyin
image of artwork listed in title parameter on this page
Başlık
İngilizce:
The Battle of Cape Passaro, 11 August 1718 Bunu Vikiveri'de düzenleyin
title QS:P1476,en:"The Battle of Cape Passaro, 11 August 1718 Bunu Vikiveri'de düzenleyin"
label QS:Len,"The Battle of Cape Passaro, 11 August 1718 Bunu Vikiveri'de düzenleyin"
Object type tablo
object_type QS:P31,Q3305213
Açıklama
English: The Battle of Cape Passaro, 11 August 1718

A depiction of an action during the war with Spain, 1718-20. In 1717, to strengthen the Treaty of Utrecht, Britain, France and Austria contemplated ceding Sicily to the Emperor. This arrangement displeased Spain, who wanted to recover the island. Admiral Sir George Byng was accordingly sent to the Mediterranean. Early August found Byng's fleet at anchor in the Bay of Naples. On 6 August, he sailed for Messina, the only place in Sicily that had not fallen to the Spaniards. On approaching, he heard that the Spanish fleet was close by and he soon sighted the Spanish, who retreated before him in line of battle all that day and night. To ensure that he did not lose them in the darkness he sent ahead his fastest ships, who kept close to the enemy, carrying lights to guide the rest of the fleet.

The morning of 11 August found Byng close to his enemy and to windward of him off Cape Passaro, the south-eastern tip of Sicily. Spain and England were not formally at war at this time, since the war did not officially break out until December 1718, but once the Spanish fired on the nearest English ships, this gave Byng his excuse to attack. The English were superior in numbers and some of the Spanish ships were taken in the main action and some taken or burnt by their crews, who fled to the coast of Sicily. This included the Spanish Commander-in-Chief, Vice-Admiral Don Antonio Castaneta, and Rear-Admiral Don Fernando Chacon, along with 13 out of the 20 larger ships of war.

In this painting, created half a century after the event, the action is shown at about 4 o'clock. Byng's flagship the 'Barfleur', 90 guns, is prominently depicted firing her starboard broadside, in starboard-bow view left of centre, into the 'San Luis', 60 guns.

On the right, the principal Spanish flagship, the 'Real San Felipe', 74 guns, is shown in starboard-broadside view being raked from the stern by the 'Superbe', 60 guns, and hauling down her flag. This fire is being returned by a Spanish rear-admiral in port-quarter view, and by another Spanish ship which is seen in port-bow view on the 'Barfleur's' quarter, almost obscured by smoke. To the left of this group a Spanish ship lies in starboard-quarter and broadside view, with her colours struck. To the left of her are the bows of an English ship beside a further prize. On the right of the painting, in the distance, another Spanish Rear-Admiral is sailing out of the picture, hotly engaged on both sides. Of the Spanish fleet, 16 were taken and seven burnt.

The artist started his painting career as an assistant to a ship's painter on Sir Charles Knowles's ship, and he rose to become one of the principal painters of naval actions of the 18th century. The painting was exhibited at the Society of Artists in 1767 and 1768.

The Battle of Cape Passaro, 11 August 1718
Tarih 1767
date QS:P571,+1767-00-00T00:00:00Z/9
Orta oil on canvas Bunu Vikiveri'de düzenleyin
Ebatlar Painting: 1320 mm x 2133 mm; Frame 1601 x 2402 x 145mm
institution QS:P195,Q7374509
Mekan
Katılım numarası
BHC0351
Kaynakça
Kaynak/Fotoğrafçı http://collections.rmg.co.uk/collections/objects/11843
İzin
(Bu dosyanın tekrar kullanımı)

The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose.

The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright.
Identifier
InfoField
Greenwich Hospital Collection number: GH66
Loan File Number: Y2000.023
entry number: BHC0351
file number: 4G10.031
id number: BHC0351
Collection
InfoField
Oil paintings

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Bu görüntüde gösterilmekte olan iki boyutlu sanat yapıtı,
  • yaratıcısının ölüm tarihine ya da
  • yayımlandığı tarihe bağlı olarak,
tüm dünyada geçerli olmak üzere, kamu malıdır.
Public domain

Bu çalışma ABD'de veya yazarın yaşamının sona ermiş olmasından 100 veya daha fazla süre geçtiğinde bu duruma uygun telif yasaları olan tüm ülkelerde kamu malıdır.


Bu çalışma 1 Ocak 1929 tarihinden önce yayımlanmıştır (veya ABD Telif Hakkı Ofisinde kayıtlıdır). Bu nedenle eser ABD'de kamu malıdır.

Dolayısıyla, o sanat yapıtına ait bu tekrar üretim görüntüsü de kamu malıdır. Tanımlanan durum, ABD (bakınız, Bridgeman Art Library v. Corel Corp. - Bridgeman Sanat Kütüphanesi Corel Şirketine karşı), Almanya ve diğer pek çok ülkede yaratılmış tekrar üretimler için geçerlidir.

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güncel02.58, 26 Eylül 201702.58, 26 Eylül 2017 tarihindeki sürümün küçültülmüş hâli4.739 × 2.983 (40,44 MB)Royal Museums Greenwich Oil paintings (1767), http://collections.rmg.co.uk/collections/objects/11843 #1405

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