Guarino Guarini

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Guarino Guarini
Guarino Guarini.jpg
Doğum 17 Ocak 1624(1624-01-17)
State Flag of the Duchy of Modena and Reggio (1830-1859).svg Modena, Modena ve Reggio Dükalığı
Ölüm 6 Mart 1683 (59 yaşında)
Flag of Milan.svg Milano, Milano Dükalığı
Tanınma nedeni

Camillo Guarino Guarini (17 Ocak 1624–6 Mart 1683), hayatının büyük bölümünü geçirdiği Torino'nun yanı sıra Sicilya, Fransa ve Portekiz'deki eserleriyle ünlü İtalyan mimar,[1][2] rahip, matematikçi ve ilahiyatçı.[3] Gotik mimariye hayranlığıyla tanınan Guarino'nin Torino'daki San Lorenzo (1668–87), 17. yüzyılın en iyi İtalyan saraylarından biri olarak kabul edilen Palazzo Carignano (1679-85) ve Lizbon'daki[4] Santa Maria della Divina Providenza, özellikle Orta Avrupa ve Kuzey İtalya'daki Barok mimarları için önemli bir etkiye sahipti.[5][6]

Torino'daki Carignano Sarayı

Kaynakça[değiştir | kaynağı değiştir]

  1. ^ n.a., n.a. (2006). Benezit Dictionary of Artists. Paris, Fransa: Editions Gründ. ISBN 978-2700030709. 
  2. ^ Lyons, John D. (2019). The Oxford handbook of the Baroque. New York, NY: Oxford University Press. ISBN 978-0190678449. 
  3. ^ Rogerson, J. W. (2006). The Oxford handbook of biblical studies. Oxford: Oxford University Press. ISBN 978-0199237777. 
  4. ^ Wheeler, Douglas L. (2010). Historical dictionary of Portugal (3. bas.). Lanham, Md.: Scarecrow Press. ISBN 978-0810860889. 
  5. ^ Bjork, Robert E. (2010). The Oxford dictionary of the Middle Ages. Oxford: Oxford University Press. ISBN 978-0198662624. 
  6. ^ Strayer, Joseph Reese (1989). Dictionary of the Middle Ages. New York: Charles Scribner's Sons. ISBN 978-0684190730. 

Geç Rönesans, Maniyerizm ve Barok mimarları[değiştir | kaynağı değiştir]

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  • Furnari, Michele. Formal Design in Renaissance Architecture: From Brunelleschi to Palladio. New York: Rizzoli International, 1995.
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  • Hempel, Eberhard. Baroque Art and Architecture in Central Europe. Baltimore: Penguin, 1965.
  • Henderson, Paula. The Tudor House and Garden: Architecture and Landscape in the Sixteenth and Early Seventeenth Centuries. London: Paul Mellon Center, 2005.
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  • Luitpold, Christoph. The Architecture of the Italian Renaissance. New York: Thames and Hudson, 2007.
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  • Millon, Henry A. The Renaissance from Brunelleschi to Michelangelo: The Representation of Architecture. New York: Rizzoli International, 1997.
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  • O’Brien, Patrick, ed. Urban Achievement in Early Modern Europe: Golden Ages in Antwerp, Amsterdam and London. Cambridge: Cambridge University Press, 2001.
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  • Pérouse de Montclos, Jean-Marie. Versailles. New York: Abbeville Press, 1997.
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  • Scott, Geoffrey. The Architecture of Humanism. Gloucester, Mass.: P. Smith, 1965.
  • Servida, Sonia. The Story of Renaissance Architecture. London: Prestel Publishing, 2011.
  • Shearman, John. Mannerism. Baltimore: Penguin, 1991.
  • Shvidkovsky, Dmitri. St. Petersburg: Architecture of the Tsars. New York: Abbeville Press, 1996.
  • Strathern, Paul. The Artist, the Philosopher, and the Warrior: Da Vinci, Machiavelli, and Borgia and the World They Shaped. London: Bantam Press, 2011.
  • Summerson, John. The Classical Language of Architecture. Cambridge, Mass.: MIT Press, 1966.
  • Varriano, John. Italian Baroque and Rococo Architecture. Oxford: Oxford University Press, 1986.
  • Wittkower, Rudolf. Architectural Principles in the Age of Humanism. New York: Norton, 1971.
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  • ———. Guide to Baroque Rome. New York: Harper and Row, 1982.
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  • ———. Palladio. Baltimore: Penguin, 1974.
  • ———. The Architecture of Michelangelo. Chicago: University of Chicago Press, 1986.
  • ———. Triumph of the Baroque: Architecture in Europe 1600–1750. New York: Thames and Hudson, 1999.
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